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14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 30 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
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Key Features
Sonnox Oxford Reverb (Native) is a stereo modelling reverb plug-in with two independent signal paths and five-band parametric EQ. Early reflections and reverb tail are provided as individual signal paths with seamless blending capabilities between both, allowing you to completely customise the space that your audio track is in. Customise the room dimensions, size, width and position via the early reflections tab to place your sound anywhere in the room with dynamic absorption algorithms to tailor the high-end response. Complete control over the reverb tail character allows you to alter the time, dispersion, size and stereo dispersion and diversity to add depth, width and space to your sound.
Create real spaces for your sound that blend with your source, sitting it within a mix instead of on your mix. Comprised of a five-band parametric EQ and over 100 factrory presets spanning everything from unique spaces, natural ambience and post-production settings, Oxford Reverb is ideal for music, film, TV and game production. Designing your own space from scratch is made easy with the hallmark Sonnox interface that's clear and precise, allowing you to navigate through the plethora of parameters to customise a sound for your project.
Product Ref: 228412
Conventionally, reverb plug-ins will offer one engine that is comprised of 'pre-delay' and 'reverb tail' parameters that are intertwined together and can't be controlled independently. Oxford Reverb sets to change how you view reverb by offering two distinct engines that power the early reflections and reverb tail independently with the option to blend between both engines seamlessly. The system presents a new standard for reverb plug-ins, allowing you to control the physical properties of the space along with the positioning of the sound source within the room.
Within the Early Reflections section, you are in complete control of the physical space where your sound source is placed in. Four different shapes of rooms from a square, horizontal and vertical rectangles of differing sizes change the reflection patterns and are used alongside a position, size, width, taper and feed along control to define the location of your source within the room. Also included is a dynamic absorption parameter that responds to the incoming audio source's frequency response to tailor the response of high frequencies in your room. This can be boosted to simulate materials being introduced to the room to stop virtual reflections across the surfaces of your space.
Presented with all of the most common parameters, the reverb tail segment of the Oxford Reverb plug-in is ideal for controlling the sustain, space and depth within your sound. The reverb tail can be expanded to a large degree for very long and natural decays. Additional controls are included with the overall size, phase diff and modulation along with stereo enhancement tools diversity and dispersion. The same dynamic absorption algorithm is included in the early reflections segment to alter the high-frequency content of your sound.
Essential for reverb plug-ins, the stereo modelling techniques within Oxford Reverb deliver a wide range of spaces that you can experiment with. Partitioned into over 100 useful presets, Oxford Reverb lets you dive into production as a jumping-off point before tweaking to suit your needs. Typical spaces including halls, rooms and chambers are all present as well as instrument-specific presets for drums and vocals. Perfect for quickly getting acquainted with what Oxford Reverb has to offer, the presets cover every likely eventuality you will face when mixing a common production.
Not only useful for music production, Oxford Reverb includes a wide range of post-production and ambience presets to help add space and depth for media uses in TV, film and game. Here, you will find sounds ranging from libraries, gyms, corridors, elevators, rooms and much more.
A not-so-secret to the big-time professionals is adding EQ to your reverb. Most rooms, halls or spaces that are used in reverb plug-ins are not acoustically optimised for every instrument. They are recorded and chosen for their character and their reverb tail that defines the overall sound of the reverb. It's for this reason that the five-band parametric EQ onboard Oxford Reverb is ideal for carving a space within your mix or to be used to blend between the reverb and audio source seamlessly. Ideal when used on an insert channel, the five-band EQ has been taken from the powerful Oxford EQ processor, using the same algorithms for a natural and powerful tone. When used as an insert, you no longer need to worry about complex routing to EQ the wet reverb signal in your audio, instead, it can be done directly within the plug-in. Each of the five bands features gain, Q-factor and frequency controls as well as both shelves and 12dB/oct filters for the low and high bands.
You may have found the perfect reverb character for your vocal, with a complex midrange and beautiful decay but find it's not bright enough to cut through and blend with your vocal track. Adding a tough of high-frequency boost can bring your reverb to life and cut through a mix to be heard above the rest of the instruments.
Add space and vibe to your dry recordingsFor any music producer, you will understand the importance of reverb within a mix. It helps to give dimension, space, width and realism to sound sources that could otherwise sound too dry, monotonous and lifeless. Reverb is a unique effect, in that its sole purpose is not to be used to transform a sound from one thing to another as is the case with phasers or flangers, but instead, it needs to serve the performance and enhance what is already there. Because of this, reverb needs to highlight the musicality and melody in what you are performing and this is exactly where Oxford Reverb shines.
Instruments recorded in dry rooms with little to no room microphone influence can benefit from the natural ambience that Oxford Reverb can bring to your tracks. Whether you're looking to add extra decay to a drum kit or add a natural ambience to a vocal track recorded in a dead room, Sonnox Reverb can do it all.
